From the beginning, it is transparent that the rapper previously known under the call of Tity Boi (calling it, deserves to be a requirement for Almaximum, all the characteristics of 2 Chainz now to Infinity, via the road), had a very transparent objective in the brain in the concept and execution of this album: to make the maximum rap be rap. Pretty Girls Like Trap Music has part of his promise, providing some of the maximum songs insured in the 2 Chainz Resurgent race. He has created a collection of his maximum lyrical and resonant music to date, and in reality it is all that we really need maximum recording artists, adding enough girls.

A single song in The 16 On Pretty Girls Like Trap Music actually lands in the classic Kingdom “for the ladies” with, however, the guest singer Ty Dolla is the maximum of the heavy raised in the comfortable rhythm and aimed at the guitar of “is an atmosphere”. Although women are addressed quite a lot, sometimes in the context of sexual conquests, for the maximum part, this album discovers that 2 Chainz crosses their other favorite issues: work, catch, fold, spend and point to absurd artillery in the point of theoretical enemies.

This is how 2 Chainz himself described the album in an interview with John Kasich in the view:

“You can expect expansion and maturation. It is avant -garde content, but Trap Music explains a bit as a weak socioeconomic fund where you have to push. And this is a scenario in which many intelligent women love the bad, and that is what it is. “

The consultation becomes, how to stretch the lyrical theme of bricks, birds, sticks and sides beyond the limits of what has already been done? 2 Chainz response? Don’t do it. Instead, music itself folds, executing in intelligent references to the history and myths of the album genre. A Juiceman’s pattern triggers “Sleep When You Die”, stuttering pian and the disturbing piano in speed to “trample the verification” becomes emblematic and antémico horns of “A. S. A. P. ” of T. I. Includes an O. G. Describing the surrealist portrait inside the house of traps.

These are 2 Chainz smart turns that anchor and raise music; In the procedure of making the border between simplicity and cerebral, it gives bents and silly braggadocios and limit with the same passionate conviction and the almost free, almost free rider, which makes it as simple and loose as delirium through a hot day.

When it spits lines like “I went to paintings and made a thong of abundance / Gucci with the Cors and onions”, its chamuscado softens the roughness of the first bar and strengthens the discomfort of the second. It is so convincing in the days of the breaks (“no hibachi, all we had is tuna”) while boasted of its wealth and its sumptuous existing way of life (“Hibachi my menu, my bracelet in Igloo”.

And although there are many boasts to do, there are moments of genuine confessions that look here and there, sprayed between the fluks of Gucci and the AR-15 are the anecdotes of musical flavor “Oh, we influence this b * tch, we take a stick when you put your fist. “

However, all lyrical acrobatics are nothing without rhythms to rape, and in this sense, this is where women shine. Based largely through a series of leading manufacturers and underground manufacturers of Atlanta, adding by hand, Mike Dean, Buddah Leshation and FKI 1st, with a great called Falwart Mike Will, the musical diversity in enough women expands the trap rap palette as a whole.

There are drums and disturbing synthesizers as usual, as well as the stripped keys that have come to delineate the rap of the fashionable trap, however, there are also dizzy samples of existing traps, such as the sample of Travis Scott in “Sleep When U die”, and the wooded wind in the “large amount” that costs in popularity. “Rolls Royce B * Tch” and “their atmosphere” are more motivated through comfortable rock guitar cushions than any typical tool of the threatening subject, but float with the maximum aquifer in Table 2 Chainz.

The good fortune of 2 Chainz, either before women and with it, is the most productive example to keep their weapons. Quite women like cheat music are not just their most productive project, this is the new plan for traps rap. Although hip-hop, rap and all small subgenres who are experiencing settings and disorders, it is greater to know what their path and remain in it.

As Tity Boi, Chainz in the first wave of what is known as trap rap. From what is worth, “Duffle Bag Boy” with Lil Wayne would possibly have been the greatest fortune of Playaz Circle, however, no song solves Hustler’s cream larger than “Paper Chaser” with Phonte. But in 2017, 2 Chainz has become a larger type of the emerging genre when it explodes in all directions. The new rappers like Young Thug, Future and Migos overcome the limits of the genre and delight with new sounds and styles that have left pillars such as T. I. and Jeezy in the cold. No 2 Chainz, however. It is not related to the version, so it remains is the reigning king of the trap, much after their days of paintings have passed in the trap space.

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