You deserve to hide under a very giant rock, the first 2013 component for having lost the web phenomenon known as Harlem Shake.

Based on the 2012 Baauer song of the same name, this video of fans fans (and the madness he spread) which brought the concept of trap music for the public as a whole, which caused an explosion in popularity while YouTube’s prospects crossed the roof.

As a result, Harlem Shake has the first trap piece to reach number one at the top of the US.

So what exactly is the trap? A fusion of crunk and hip-hop, the electro minimalist and almost hypnotic trap rhythms are formed by the emblematic emblematic rhythm sounds of Roland TR-808, whose samples are now incredibly simple to obtain.

There are packages of indescribable samples of old rhythm machines, such as Loopmasters, Goldbaby, Samplephone and Big Fish Audio, and many virtual rhythm machines are delivered with TR-808 sounds already incorporated.

You do not have to make wonderful efforts to locate the sounds that you want to stick to this instruction: we have made our own kit 808 and can locate the samples in the didacticiel files (right click and guard).

Step 1: We have provided a set of our own TR-808 samples in the Didacticiel file folder, which can be loaded into a complement to the rhythm machine such as adm cm and trigger through MIDI. To create the construction, we begin by surprising cm 808 clap. wav in the quarter of the quarter at 145 bpm. We have also added a funny touch of KR-Reverb cm.

Step 2: To create a soft payment roll in the room finish, pass the quantification grid in the eighth note of the eighth note, then fill the bar 2 with traps samples. WAV of 12 cm 808. To begin this as the race progresses, we use a pitchhifter complement. We automate the semi -tones parameter of the gear lever II so that the height of the necklaces in the curlting falls half tone on stage.

Step 3: To fall, we use cm 808 kick. wav, a charming drum pattern Boomy Kick 808 with many clicks on the front. Pass the quantification grid in the eighth notes and place the kicks in the rhythms of the eighth note 1, four and 7 of the 3 bar, and the eighth bats 2 and 3 of the bar four as indicated. Then we just want to put a blow in the third rhythm of the 3 and four bars.

Step four: finish the component through the striking CM 808 clost hat. WAV samples in all the rhythms of the eighth note in the 3 and four bars, with the exception of the moment of bar four, which we fill with an open sample of Charleston. To emulate, closing the following chaleston closed in rhythm 3, slide the edge of the right hand from the region to the left until it begins in the right position.

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