Where, exactly, do you have guitars? Of course, there has never been a shortage of classic rock equipment, for example, a basically masculine man, basically white. But before increasingly varied musical tactics, its culture has an effect in the beginning to decrease. Many indie-rock teams have begun to feel parodic or even parodes, as if they lacked concepts or exhausted the hobby to come new.

But a new generation of female and non -binary artists: Punk in flavor or spirit, from the warehouse of all ages and the ecosystem of D. I. Y. -Chree – take your place.

These singers and musicians, running just under the dominant current, make music about tactile emotion, exciting politics and much more. To make an inventory of this dynamic moment, and to highlight the paintings of these artists, we explain why they do the music they do and what hindering the industry and society in general have set their way.

Turn on their sound to listen to 25 teams that turn out that women make more productive rock music, then pay attention to a prolonged reading list of competition songs for another 25.

Snail mail, “thinning”

Lindsey Jordan, a teenager, throws his soul on resolutely unwavering songs for Snail Mail, a sinuous guitar trio, bass and drums.

“I think that when other people see me on stage, they tend to assume that I am without blood or bitch, because I am serious when I play music. “

– Lindsey Jordan, postal mail

Yes, Nako, “sissy”

In what they call “Punk Sorty songs about being queer, trans and black”, yes, Nako is based on the uncomfortable vocal interaction to create a perpetual emergency.

Cayetana, “Side of the Slees”

The singer Augusta Koch can be chance in the words or with a crispy voice, when her oppressed monotonous breaks with the feeling.

Model, “romantic”

This quartet captures all the flavors of the emotional torments in bursts that pass from fiercely thrashy to delicately melodic.

Vagabon, “the embers”

Laetitia Tamko, who grew up in Cameroon and now lives in New York, writes revealing and volatile songs that can be complicated or explosive.

“The first time I felt that I could play guitar music, when I saw a boy who I know the group. It is the first time I had noticed live music and that I 21, which is very past in life. I told myself,” right? “

– Laetitia Tamko, Vagabon

Q: How did you start making music?

Christina foundy, Sheer Mag: You have to suck for a while.

Alex Luciano, Diet Cig: You have to suck for so long! Nobody tells you that it is general to suck.

Shawna Potter, war opposite women: due to your sex.

Shawna Potter, war opposite women: there are millions and millions of horrible mediocre bands with the boys.

Laetitia Tamko, Vagabon: but I also have the impression that the fact that deciding to suck or blatantly with everyone is as the most difficult, since it is brave.

Dad problems, “dog years”

Sharying and Hilarious, at the same time, this trio has a bikini edge in lines like “I know how we end / we will not be friends with dogs, you are dead. “

Charly Bliss, “Percoler”

The electric songs of the strength of the 90s that slide from primary to a minor, comfortable to sour.

UV-TV, “leaving”

This organization puts tense and nervous songs with just a little jangle, surpassed through the voice and sweets of Rose Vastola.

From Lindsey Jordan (Caracol Correo) to Victoria Ruiz (Downtown Boys) and Christina foundy (Sheer Mag): You were the first punk teams I have noticed live. And I began to see to pay attention to punk music and be informed more about feminism after seeing the children in the city center, then pure Mag just after. And it was like my advent almost politics and punk rock.

Pure Mag, “Wait the bayonet”

The Big Back Riffs touch the rock receptors ‘N’ Roll, however, Soul-Punk’s song through Christina found and subverts the total business.

Q: How are listeners replaced this replacement of force in terms of sex?

Christina foundy, Sheer Mag: teenagers are very annoying.

Q: What are some of the bureaucracy of sexism you have experienced?

Christina Halladay, Sheer Mag: “Are you the tour director?”

Shawna Potter, War Women: “Do you play the keyboard? What friend are you?”

Victoria Ruiz, Downtown Boys: “The open in two hours. “

Sadie Dupuis, Sad13: I like it when it happens when I literally stop next to a mass poster of my face.

Q: What are some of the bureaucracy of sexism you have experienced?

Lindsey Jordan, Snail Mail: once, I said I didn’t need paintings and told me: “Do you need to send nudes?” Yes, thanks, now that I think of Itarray . .

Sadie Dupuis, SAD13: I hate persuading in porn misogyny. But one of my favorite examples is a sound engineer that a man arrived here to move me to overcome me. He exploded and told myself: “Great, I know who has this place,” and contacted them and he fired him.

Children in the city center, “We are Chulas (we are not assholes)”

Politics is front and in the middle of the songs that are in motion is the voice of Victoria Ruiz, the vehement voice.

“I learned to sing by practicing protest songs. “

– Victoria Ruiz, Downtown Boys

Lisa joke, “baby, me writing lines”

Robin Edwards can be bratoso and infallible with lines such as: “I would get my tongue in my mouth / to prevent your words from coming out. “

Petal, “Tommy”

The Kiley Lotz leader moves between comfortable and natural songs and Thrashers in this organization of the brain of the 1990s.

CIG diet, “sixteen”

Only the drums, the guitar and the hyperactive screams of Alex Luciano, this duo is ironic and incisive on the subject of gender, but also easy for bop.

“Actually, it was great to locate this network on the web and feel that they knew you show. And say:” Yes, we are in the same combination, even if we were not in the same place. “

– Alex Luciano, Diet Cig

Q: How did you take those situations?

Shawna Potter, war opposite women: I made an excursion with Brooks, our guitarist, only me and me in Duet for a while, and we only told the other people that we were brother and sister, so they would avoid asking if we fainted or married.

Christina foundy, Sheer Mag: The forbidden sky we are together.

Victoria Ruiz, Downtown Boys: It is also difficult, because a giant component of discussion about sexism in music is so unidimensional. Because I am a great woman of color, nobody ever thinks that the hot white man of my organization and I fainted together.

Laetitia Tamko, Vagabon: Yes, it is scratched to see how there are two other reports and are equally bad. One is the position in which other people look at him as if it were so to win through them. Or do not even check it, as if it were nothing in this equation.

WaxAhatchee, “Recite Remorse”

Katie Crutchfield’s solo assignment began with an accessory in intimate and marked songs and recently became fierce.

Palehound, “Claveles”

Palehound singer and songwriter, Ellen Kempner, builds songs from details, with music that can whisper or roar.

Soccer mom, “Allison”

Sophie Allison’s songs are generously tender and shoot between supernatural composure and emotional disintegration.

“Other public people are not the musician as, like a user sometimes. They don’t really realize that he is just a user. “

– Sophie Allison, mother

From Sophie Allison (football mother) to Christina foundy (Sheer Mag): Tina and Sheer Mag have replaced my life. All those guys, when Tina sang, shouted those words, like love and all that. And I told myself, it collapses to poisonous masculinity.

Allison Crutchfield, “I will never leave California”

An excursion from the Swearin Punk Swearin outfit continued through a melancholic and thorny solo album.

Cherry Glazer, “Falling Nurse”

Clementine Creevy through Cherry Glazer applies New Wave classes to his own sensitivity of the century.

SAD13, “get a yes”

Sadie Dupuis is divided between rock aimed at the guitar of her organization, Speedy Ortiz and pop hooks on the keyboard of her SAD13 solo project.

“The boys liked to crush Led Zeppelin and let them play. But in a moment, I learned that I taller than the maximum of the musicians with whom I touched.

I have had the impression of having to practice everything meticulously, so I have never [explained] anything, so no one ever thinks that I am the rhythmic guitarist. “

– Sadie Dupuis, Sad13 and Speedy Ortiz

From Sadie Dupuis (SAD13) to Lindsey Jordan (Caracol Mail): I just need to complement the part of Lindsey. You can be so discreet and then you enter anything so sensitive and, as I don’t know how it came here from a human brain.

About song writing:

Lindsey Jordan, Snail Mail: women write about relationships because they considered themselves trivial and stupid. An unhappy white child can get up in the microphone and say: “I miss my girlfriend” –

Shawna Potter, War Women: He’s a genius.

Lindsey Jordan: Yes, however, if a woman puts himself in the microphone, other people are like, ew, is complaining.

Lindsey Jordan, Snail Mail: I learned to start writing songs that I like to sing about relationships, and the women that I love and be a homosexual person, so he fears you have the impression of having to go beyond the expectations of being as intelligent as they do not review so much.

Sophie Allison, Mommy Soccer: I didn’t like to make music until 18 years. I touched all my life, but I didn’t put it, because I didn’t have the impression that other people would take it seriously. Idea that other people would say: “It’s like the music of an unhappy woman, it’s like Taylor Swift. “

Tacocat, “You can’t yell at me, I’m gone”

The tacocate puts the catchy airs punk-pop and the harmonies of Guillyr their sardonic reactions to the extensors daily.

Solta, “with a cherry at the top”

Eva Moolchan records surprising songs post-punk, just a synthesizer line, a Funky battery device rhythm and her voice in fact.

Les Courtneys, “Velvet de Plata”

This power-pop attire offers bright and bright bright on difficult issues.

War against women, “YouTube comments”

Shawna Potter leads this hardcore punk organization of the upper speed with an embodied fury in “YouTube comments. “

“Of course, I would like to be in the exhibition of Jimmy Kimmel or something. I would like to be in a last night to scream about abortion. “

– Shawna Potter, war against women

Jumping, “the shot”

Frances Quinlan Mavens rolled the strongly injured shouts of Hop, an organization that explores the propagation beyond the punk of electricity.

Thick, “Puke’s Diner”

Pressing the complete Brooklyn punk of awakening of the first white and burning complaints.

Q: Do you see politics from your writing?

Laetitia Tamko, Vagabon: Due to whom I constituted and at what time I made the percentage decision of this music, it has become this story that was going to reposition the Global Rock Independent. I appreciate it, but I’m not here to reposition other people. He limits himself to sealing such an intense name in someone just because there has not been much position attributed to other people like me to prosper.

Sadie Dupuis, SAD13: I think that many stories apply to a musician who likes to look like the infinite line of white men’s men. Array . . . Maybe in five years, we will have to deal with this type of editorial positions.

Christina foundy, Sheer Mag: that many of us are intrinsically political through being in a front in a group.

Laetitia Tamko, Vagabon: which is great if they communicate to us about it.

We have made a reading list that tries to capture the scope and power of this world. In addition to the 25 artists we present here, we have included songs outside the festival of 25 other non -binary equipment or led through women, level stars (Mitski, Frankie Cosmos, White Lung) to get to do things.

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