During the decade beyond, Tinashe has damaged through Pop graphics, dance graphics, R&B graphics and hip-hop graphics. Some can call it “R&B alternative”, but you see it as an aggregate of several musical styles, with an inspiration taken from Janet Jackson and Britney Spears. The musician had her ups and downs: she signed with the RCA label at age 20, and left after feeling that leaders simply cannot see their vision. I was going to launch two albums, either acclaimed by criticism, regardless of the design of the classic seal. Four mixtapes and five studio albums later, now 29 years despite everything they feel loose enough to call their own shots and challenge the categorization.

After having launched his first combine of combine at 18, he spent seven years in RCA and published 3 albums with the seal. Since your departure, you have published two albums independently, songs for you and 333. When did you start writing your own music?

I wrote my first song when I was five years old, and his call was “Deep in the Night. ” I still don’t forget it, because it was an adequate song with a bridge and piano accompaniments. The writing of songs has been an exit for me to explain, even before anyone listens to the songs or who can do anything with them. I was walking with a conical recorder and registered in the patio in the backyard.

Much of the verbal exchange that surrounds its paintings has been to verify to classify its sound. Is it useful to verify to adapt to you in a genre?

When I was in my last record company, they do not necessarily agree on how they announce, in the radio stations in which my music reproduces. They would have other groups that run for other music styles, and they would be: “Well, do we give this to the pop branch? Where do we give this to the urban branch?” I never reached my brain that I had to decide on a genre. I just made the music I made.

How would you describe your music?

Finely veiled pop star music, but with other influences. For me, it is perfectly logical. But I don’t think other people have necessarily noticed this in this way. Then she became: “Oh, she is confused. He has no direction. ” Over time, other people have become accustomed to the concept that I combine genres and review many other things.

You have worked with very producers, such as Max Martin, Dev Hynes and Ryan Hemsworth. What is the maximum satisfactory component of collaboration in new works?

My favorite game is when you are in the game of an album and you still don’t know. He simply goes to the studio and delights with which he is there. The manufacturer will enter and receive the game rhythms, and I am approving to tell me “play your strangest rhythm” or “Play the rhythm that you do not think I would like to listen. ” Often, it is the one who is exciting for me. It seems a challenge. Sometimes it works, and it does something great. Sometimes this is not the case, but it is very fun, very similar to what music felt, before doing it as a career.

Burberry bodies and pants; Cartier slopes; Tiffany & Co. The stylist’s shoes.

When you first emerged on stage, why did you make your first name?

I have had this in my brain since I was young, because I have such an exclusive call and it was such a giant component of my education. When it grows with an ethnic call, it will be the user who deserves to tell other people how to pronounce it or protect. People will say: “Can I call you Nickcall?” And you say: “In fact, no, that’s my call. This is how you say it. Let me teach you. It’s not so difficult. ” Learning, then winning this pride, was such a vital component of growth.

Where do you see then?

Now that I am independent and I have been in the game for a decade, I am wonderful to say that much and not think too much. I am only looking to return to this original state of the brain, we make art for pleasure. It is a privilege to be able to do any art. In the thirties, I need to laugh as an artistic and a tycoon. But I am far from ending my musical era. I have the impression that it is in the event.

Nina Potts Hair; Makeup through Marc Quirmit.

Photographic assistants: Jorge Solorzano, Nick Tooman, Chris Whitaker; Retouching: D-Touch; Fashion Assistant: Antonio Soto; HAIR ASSISTANT: Alison demos; Manufacturing Assistant: Christina Roberson; Assistant Set: Kevin Carniero; Tailor: Irina Tshtaryan; Production Assistant: Asher Gardner; THANKS SPECIAL: THE REVERY LA.