The rooms are humming with the sound of the Jazz legend Wynton Marsalis for more than a century now.  

The global family musician, a Grammy Award winner and the Pulitzer Award, won his first trumpet at the age of 6. The vintage education with only 12 years. At 22, he has become the first musician to win a Grammy in Jazz and vintaágic music the same year.

But Marsalis does not get excited reflecting on his many achievements.

“I have no sentimental appointments with myself,” Marsalis told “CBS Mornings”, Gayle King’s receiver an interview with the New York Lincoln Center.

He feels proud. He feels grateful.

“I am grateful for a coat . . . the opportunities that have presented me and the education I received, and all the wonderful musicians with whom I touched, and that I play. And the other people I paint. But not anything of me, was Mearray . . . it was a jazz consultation,” said Marsalis.

Marsalis is the director of artistic control and jazz at the Lincoln Center, who recently marked the twentieth anniversary of the opening of Frederick P. Rose Hall, the first complex committed to jazz. Affectionately known as “The space that Wynton has built”, the installation of 100,000 square feet offers spaces arranged for performance, education and dissemination.

Within the concert hall, you can listen to Marsalis and the repetition of the orchestra, and percentage notes between them in the process.

“When we repeat, we do our way. We are talking, we talk about music, we pass and come with others, because we have this love and this respect,” said Marsalis.

Marsalis appreciates collaboration with other musicians, while they are for Smart Sound.

“When you play your arrangement, if not good, the organization is silent.  

While Marsalis and the Jazz orchestra in Lincoln Center are extremely cheerful with the significant achievements of the organization, the mythical jazz musician recognizes that the trail of the creation of his own area was not so fluid.

“It’s difficult,” he admitted. “And we seek to kill ourselves in the end. It’s like learning to play. It’s difficult. But that’s what is value. “

There were many mobile portions when the small organization worked to gather a budget for the jazz concert hall. When Frederick P. Rose Hall began, the organization lacked a budget. Marsalis did not know if construction would never be finished.

“At a safe point, [a] knight of which I was talking, I didn’t say,” Listen, boy. “He said:” I live in John Coltrane’s street on Long Island.

Rose Hall, which includes 3 concert spaces and functionality, is located in the center of Manhattan, less than one mile from the remarkable Juilliard school to which Marsalis frequented in adolescence.

Born in New Orleans of the prominent Jazz pianist and educator Ellis Marsalis Jr. , music passes through the veins of Marsalis. Apart from his father, Marsalis had a model: John Coltrane.

“I started paying attention throughout the summer when I was 12 years old. I put this record. And I began to hear what he said. And then, when I mentioned it, I told myself,” it is as if a global total has opened. As, he has the wisest, the maximum perceptual other people in the global is talking to you, “Marsalis recovered when he began his vintage training. “

Marsalis, who is now 63 years old, has recorded more than a hundred studio albums. During the more than five decades, a reputation that has preceded its art has evolved.

Some called him “blocked” and “combative” and declared that his paintings too narrow, but Marsalis does not take any of those criticism personally.

“I grew up in segregation, okay? When Martin Luther King killed, we joined an environment. And several times, what I felt and say, not what he said, okay?” Marsalis explained.

Marsalis said he had the impression that he was only looking at the prestige quo. But now, Marsalis turns out to have discovered his voice.

“Fortunately, we live in a democracy. And you can explicit.

In September, “CBS Mornings” took the majesty of the Rose Theater, joining Marsalis and Jazz in the Lincoln center orchestra for the opening night of its twentieth season. The space swallowed, full of a captivated audience, dancing in their seats and hitting the hands to the rhythms. It is the magic of jazz.