The newest decade of Western pop music ruled through the whisper: an intentionally dry flavor of the performance, almost an ASMR type popularized through “indie pop” primary Julia Michaels, Selena Gomez, Lana del Rey and Billie Eilish. The sound is cushioned and pacified, a reaction to the chaos of the world, the music of the generation and equivalent to the minimalist internal design: why the belt when can you calm?

Meanwhile, K-Pop Idol’s music took its position in the United States during the same time, and it was the opposite: a complete maximalist dream of colors, H8 performances and videos, a large number of artists and unique choreography. If the most sensible 40 in the United States were looking for solo singers so sweet that they are breathed in the microphone in a part-time choir, K-Pop seemed to be offering an alternative without gender: consistent stimulation, euphoria delivered in 8 to 10 melodies and fantastic harmonies in an unplayed way. (That is, K-Pop Idol Music-In The West, “K-Pop” Synonym is used of Korean idol music, pop with an H8 production price and produced in a planned study system, as in this room).

K-pop is music that is not yet swollen; Funny and intended music to arouse joy when listening and notice (K-Pop is designed to be visually appreciated, if no more, than the destined to be heard). And it is the music that is now reaching general global ubiquity. Boy Band BTS is the maximum popular organization on the planet, which brings billions to South Korea each year between albums No. 1 (three of which reached this specific reference in less than a year). K-POP enthusiasts ruled the headlines inside and outside the doors the scope of pop culture for their recent political successes: to use their local virtual understanding to overwhelm the white supremacist hashtags, weigh the frequent numbers of the Tulsa Tulsa rally, which were data on the donations of black life. For those English-speaking audiences that are informed to K-Pop for the first time, this specific musical discovery probably provides the impression of lacking the boat during a vacation that I did not know how to take off. How can you just move the needle so fast? K-pop is overwhelming.

And it is understandable. In the history of popular music, the American public hesitated to adopt music recorded in another language, with the exception of some superstars in the Spanish language. Artists from other cultures cross their work, in the targets themselves and in their persistent to sell in the United States, the largest global music market. For many, a dominant pop form that is not in English is inconceivable. And yet, here is K-Pop, music widely recorded in Korean, born in the early 1990s and now one of the maximum forms of popular music on the planet, appreciated through several generations of listeners. The figures can be intimidating, but entering music is not.

Learning to live in K-Pop first means getting rid of non-unusual ideas. The bases: K-pop is not a genre, and K-Pop enthusiasts do not behave like a monolith. The term means “Korean pop”, but as “Latin pop”, the name is more a geographical designation for industry than sound. An “idol system” for the audition and creation of pop talents, a bit like the mechanization of berry gordy motorcycle in the sixties and seventies, and monetary for the arts through the Government of South Korea is guilty of the K-Pop dominance, but the existing popularity of music in the United States is a relatively new phenomenon.

K-Pop Music crosses the genre with incredible ease in an instant, encouraged through the Dubstep drops that the pop explained in the early 2010s, or creators of Swedish successes, or hip-hop, or R&B Ballad, or the new Jack Swing, or the soul, or Euro-Pop, or the Dancehall Caribbean, or in the judgments and their multilingual song. K-pop artists direct the spectrum of women and teams of children to soloists and rappers. The evolution of K-Pop is explained through “generations” of indistinct music, whose parameters are regularly disputed through enthusiasts and criticism. Listening to K-Pop is also an access facet to the industry: the trace of the discovery is designed so that enthusiasts participate online, which means that the maximum burning supporters are vowels and have interaction in coordinated advertising efforts, such as the transmission of new clips in an endless circuit. That said, it is imaginable to enter K-Pop through listening simply, and this is what the playlist expects to achieve.

Like any introduction, this serves as a subjective preparation, arranged to reassure the curious western listeners and give them a skeletal base in which they trust. In truth, the global K-Pop is expansive and evolving exponentially. It is not a consultation of locating a K-Pop artist whose paintings you will fall, is when. Start digging next.

Seo Taiji and Boys, “Nan Arayo (I know)” (1992)

Most criticisms tend to agree that the original K-Pop story begins on April 11, 1992, when the optimization of Taiji Trio search engines and the boys played their success “Nan Aayo (I Know)” in the Munhwa transmission corporation of South Korea. For many South Korean young people, the song was their first exposure to hip-hop and the new Jack Swing (regardless of the popularity of the two genres in the hall of children’s organization) and a welcome option for classical musical styles, adding “Trot”, a form of Korean people.

H. O. T. , “Candy” (1996)

HOT. (Aka. The five adolescents consider it formative to the tendency to call their organization with an initialism for a simple understanding in the global market) is largely accredited, as the first organization of idols in the history of K-Pop, which means that its members were taken in combination through a company in this case, Lee So-Man, founder of SM Entertainment. “Candy” is Bubblegum Pop in its brightest and most pretty maximum music in the style of American children and J-Pop organizations.

S. E. S. , “I am your girl” (1997)

The Organization of S. E. S. The girls, also gathered through Lee Soo-Man, were first located as the female counterpart of H. O. T. , its radically sound as the profile of the organization grew. In “I’M Your Girl”, the organization has a surprising resemblance with TLC: it is R&B from the 90s, to a tee.

Rain, “Rainism” (2008) (This song should not be had in transmission in the United States).

After education to debut in a children’s organization that never took off, Rain continued a solo career, although everything fits the first K-Pop star to break international. “Rainmism” is its maximum successful single, with a sound that is not similar to Usher and Justin Timberlake. It is remarkable that many words are in English.

Wonder Girls, “Person” (2008)

The retro concept of the group of girls Wonder Girls proved to be a success in 2008, the beginning of an era of time that is systematically called “The Golden Age of K-Pop”. The quartet regularly comes from vintage sound elements, whose members: members include the supreme in the video of “Nobody”, the first song of K -Pop drawn on the Billboard Hot 100.

Shinee, “Ring Ding Ding Dong” (2009)

The “Ring Dong Dong” through the Shinee boys band summarizes the gender hrid of the K-Pop of the Golden Age: it is a futuristic R&B, with percussion built in Congas, Euro-Pop production and highly automatically adjusted votes.

Girls Generation, “Gee” (2009)

Consider “Gee” through Girls Generation The Framework in which all long-term teams of K-P-pop-pod women would follow: it is sweets and inflatable pop music, all in love and crushing, and its ear from the ear of the ear made it a viral almaximum, the valuable valuable motto of all of all.

Se7e ft. Lil ‘Kim, “Girls” (2009)

It is not only that K-Pop, like the entire bureaucracy of popular music, is based on black music, while the presence of K-Pop grew in the United States, bet one of its first followers. The collaboration of the soloist se7 in the American rapper Lil ‘Kim, “Girls”, presented at 106 & Park.

IU, “Good morning” (2010)

Not all K-pop artists, the largest K-Pop artists in the United States, and this is the case of IU-IT is one of the maximum K-pop musicians in South Korea and “good day” is a test. His single firm is as surprising as the main musical number in a beloved Disney classic, and equally orchestral.

Super Junior, “M. Simple” (2011)

“Mr. Simple” of Super Junior is Soul de Seoul: there is a detail of Black Jazz Club similar to the introduction of a stop before exploiting and repetitive techno.

2NE1, “I’m the best” (2011)

“I am the best” of 2NE1 is excellence in Europop, a hymn of empowerment for the club.

PSY, “Gangnam Style” (2012)

The virality of Psy “Gangenam Style”, and gently imitated the dancing movement of riding, the first K-Pop song to give a great splash in the United States, but in the wonderful story of K-Pop, it is an aberrant value. The song is ironic and subversive, complaint of a district rich in Seoul and a broader comment on inequalities. The others on this list are honest odes built to attract the wider public.

Boa, “Only One” (2012)

Boa is a teacher in the history of K -Pop: she sang in English long before some key prayers in the choir a standard, and in “only one”, he addressed the R&B rupture ballads with general experience.

BigBang, “Fantastic Baby” (2012)

Before there were BTS, there was Bigbang, the organization of children for the dance of the rupture had to take from the West. “Fantastic Baby” is the good fortune of the organization, a gigantic Edm-Hip-Hop rhythm so popular that it was covered in good joy.

2 p. m. , “My House” (2015)

Boy Band 14 PM “My House”, is a romantic R&B that will even enchant the maximum faithful purist.

GOT7, “Just Good” (2015)

Some would possibly locate the wonder of Got7’s child in “right to the right”, but “twee-rap” may also be a greater categorization. The choir, however, shouts an early address.

EXO, “Monster” (2016)

The 12 EXO members offer a darker vision of the Boy Boy Boy Electro-pop formula in its single “monster. “

Jennie, “Solo” (2018)

In K-Pop, it is not unusual for the members of the Organization of Women and Teams of Children to continue the solo paintings outside the doors of their collective tasks, which allows them to explore other artistic paths without breaking the organization, and doubles a service of enthusiasts for the listeners who prefer a member to the others (in K-Pop, this member is their “biat”). Jennie de Blackpink, and her lonely soloist “only”, is the example of a “solo” member, while sings, without diverting too much the integrity of the organization. This is intended for enthusiasts of the great pop hymns and the outdated hip-hop whistle.

April, “Oh, my mistake” (2018)

“Oh My Bock Merry” until April, is the Synthpop of the 80s with a brilliant production: it is listening to this and not feeling dizzy.

Blackpink, “Kill This Love” (2019)

The largest organization of women on the planet is Blackpink, a K-pop quartet without full LP of its credit. With single as fierce as the anthem of the “Kill This love” horn stadium, it is simple to see why: the single marries the army rates with a trap, underlined with gigantic synthesors.

BTS FT. Halsey, “Boy with Luv” (2019)

Several BTS songs would be adequate to come here: see “No More Dream”, the group’s first single, to obtain a concept of their range. This song has gathered in opposition to an inflexible school formula that exerts unsustainable tension for other young people in South Korea, while “Boy With Luv” is a vertical audit with one of the largest American pop stars of the 21st century. It is also one of the maximum impossible to resist single in BTS, a skating disco number scored through a low -shape hype.

Ateez, “Say My Name” (2019)

The new generation of K -Pop superstar is no longer limited: they can do their Deyet or exercise outside the southern Korea doors and how, or even more good fortune in the West than at home. They also continue to expand the consistent musical experimentation of K-POP. The organization of children of another 8 people Ateez, “Say My Name”, for example, is based on a pan, and the main rapper Mingi, with its so low strident tone that the Scandinavian post-pitch remembers more than any other singer on this list, sings the choir. It is so distinctive that listeners will still not have a selection to forgive them for giving their song the same name as Destiny’s Child Classic.

Maria Sherman is an editor -in the main of Jazebel and the electronic book Big Bitter Than Life: A History of Boy Bands from Nkotb A BTS.

The newest decade of Western pop music ruled through the whisper: an intentionally dry flavor of the performance, almost an ASMR type popularized through “indie pop” primary Julia Michaels, Selena Gomez, Lana del Rey and Billie Eilish. The sound is cushioned and pacified, a reaction to the chaos of the world, the music of the generation and equivalent to the minimalist internal design: why the belt when can you calm?

Meanwhile, K-Pop Idol’s music took its position in the United States during the same time, and it was the opposite: a complete maximalist dream of colors, H8 performances and videos, a large number of artists and unique choreography. If the most sensible 40 in the United States were looking for solo singers so sweet that they are breathed in the microphone in a part-time choir, K-Pop seemed to be offering an alternative without gender: consistent stimulation, euphoria delivered in 8 to 10 melodies and fantastic harmonies in an unplayed way. (That is, K-Pop Idol Music-In The West, “K-Pop” Synonym is used of Korean idol music, pop with an H8 production price and produced in a planned study system, as in this room).

K-pop is music that is not yet swollen; Music that is a laugh and destined to cause joy when indexing and shows (K-pop is designed to visually enjoy so much, if not more, what should be heard). And it is the music that is now reaching general global ubiquity. Boy Band BTS is the maximum popular organization on the planet, which brings billions to South Korea each year between albums No. 1 (three of which reached this specific reference in less than a year). K-POP enthusiasts ruled the headlines inside and outside the doors the scope of pop culture for their recent political successes: to use their local virtual understanding to overwhelm the white supremacist hashtags, weigh the frequent numbers of the Tulsa Tulsa rally, which were data on the donations of black life. For those English-speaking audiences that are informed to K-Pop for the first time, this specific musical discovery probably provides the impression of lacking the boat during a vacation that I did not know how to take off. How can you just move the needle so fast? K-pop is overwhelming.

And it is understandable. In the history of popular music, the American public hesitated to adopt music recorded in another language, with the exception of some superstars in the Spanish language. Artists from other cultures cross their work, in the targets themselves and in their persistent to sell in the United States, the largest global music market. For many, a dominant pop form that is not in English is inconceivable. And yet, here is K-Pop, music widely recorded in Korean, born in the early 1990s and now one of the maximum forms of popular music on the planet, appreciated through several generations of listeners. The figures can be intimidating, but entering music is not.

Learning to live in K-Pop first means getting rid of non-unusual ideas. The bases: K-pop is not a genre, and K-Pop enthusiasts do not behave like a monolith. The term means “Korean pop”, but as “Latin pop”, the name is more a geographical designation for industry than sound. An “idol system” for the audition and creation of pop talents, a bit like the mechanization of berry gordy motorcycle in the sixties and seventies, and monetary for the arts through the Government of South Korea is guilty of the K-Pop dominance, but the existing popularity of music in the United States is a relatively new phenomenon.

K-Pop Music crosses the genre with incredible ease in an instant, encouraged through the Dubstep drops that the pop explained in the early 2010s, or creators of Swedish successes, or hip-hop, or R&B Ballad, or the new Jack Swing, or the soul, or Euro-Pop, or the Dancehall Caribbean, or in the judgments and their multilingual song. K-pop artists direct the spectrum of women and teams of children to soloists and rappers. The evolution of K-Pop is explained through “generations” of indistinct music, whose parameters are regularly disputed through enthusiasts and criticism. Listening to K-Pop is also an access facet to the industry: the trace of the discovery is designed so that enthusiasts participate online, which means that the maximum burning supporters are vowels and have interaction in coordinated advertising efforts, such as the transmission of new clips in an endless circuit. That said, it is imaginable to enter K-Pop through listening simply, and this is what the playlist expects to achieve.

Like any introduction, this serves as a subjective preparation, arranged to reassure the curious western listeners and give them a skeletal base in which they trust. In truth, the global K-Pop is expansive and evolving exponentially. It is not a consultation of locating a K-Pop artist whose paintings you will fall, is when. Start digging next.

Seo Taiji and Boys, “Nan Arayo (I know)” (1992)

Most criticisms tend to agree that the original K-Pop story begins on April 11, 1992, when the optimization of Taiji Trio search engines and the boys played their success “Nan Aayo (I Know)” in the Munhwa transmission corporation of South Korea. For many South Korean young people, the song was their first exposure to hip-hop and the new Jack Swing (regardless of the popularity of the two genres in the hall of children’s organization) and a welcome option for classical musical styles, adding “Trot”, a form of Korean people.

H. O. T. , “Candy” (1996)

HOT. (Aka. The five adolescents consider it formative to the tendency to call their organization with an initialism for a simple understanding in the global market) is largely accredited, as the first organization of idols in the history of K-Pop, which means that its members were taken in combination through a company in this case, Lee So-Man, founder of SM Entertainment. “Candy” is Bubblegum Pop in its brightest and most pretty maximum music in the style of American children and J-Pop organizations.

S. E. S. , “I am your girl” (1997)

The Organization of S. E. S. The girls, also gathered through Lee Soo-Man, were first located as the female counterpart of H. O. T. , its radically sound as the profile of the organization grew. In “I’M Your Girl”, the organization has a surprising resemblance with TLC: it is R&B from the 90s, to a tee.

Rain, “Rainism” (2008) (This song should not be had in transmission in the United States).

After education to debut in a children’s organization that never took off, Rain continued a solo career, although everything fits the first K-Pop star to break international. “Rainmism” is its maximum successful single, with a sound that is not similar to Usher and Justin Timberlake. It is remarkable that many words are in English.

Wonder Girls, “Person” (2008)

The retro concept of the group of girls Wonder Girls proved to be a success in 2008, the beginning of an era of time that is systematically called “the golden age of k-pop”. The quartet regularly comes from vintage sound elements, whose members: members include the supreme in the video of “Nobody”, the first song of K -Pop drawn on the Billboard Hot 100.

Shinee, “Ring Ding Ding Dong” (2009)

The “Ring Dong Dong” through the Shinee boys band summarizes the gender hrid of the K-Pop of the Golden Age: it is a futuristic R&B, with percussion built in Congas, Euro-Pop production and highly automatically adjusted votes.

Girls Generation, “Gee” (2009)

Consider “Gee” through Girls Generation The Framework in which all long-term teams of K-P-pop-pod women would follow: it is sweets and inflatable pop music, all in love and crushing, and its ear from the ear of the ear made it a viral almaximum, the valuable valuable motto of all of all.

Se7e ft. Lil ‘Kim, “Girls” (2009)

It is not just that K-pop, like the entire bureaucracy of popular music, is based on black music, as the presence of K-pop grew in the United States, Bet was one of his first followers. The collaboration of the soloist se7 in the American rapper Lil ‘Kim, “Girls”, presented at 106 & Park.

IU, “Good morning” (2010)

Not all K-pop artists, the largest K-Pop artists in the United States, and this is the case of IU-IT is one of the maximum K-pop musicians in South Korea and “good day” is a test. His single firm is as surprising as the main musical number in a beloved Disney classic, and equally orchestral.

Super Junior, “M. Simple” (2011)

“Mr. Simple” of Super Junior is Soul de Seoul: there is a detail of Black Jazz Club similar to the introduction of a stop before exploiting and repetitive techno.

2NE1, “I’m the best” (2011)

“I am the best” of 2NE1 is excellence in Europop, a hymn of empowerment for the club.

PSY, “Gangnam Style” (2012)

The virality of Psy “Gangenam Style”, and gently imitated the dancing movement of riding, the first K-Pop song to give a great splash in the United States, but in the wonderful story of K-Pop, it is an aberrant value. The song is ironic and subversive, complaint of a district rich in Seoul and a broader comment on inequalities. The others on this list are honest odes built to attract the wider public.

Boa, “Only One” (2012)

Boa is a teacher in the history of K -Pop: she sang in English long before some key prayers in the choir a standard, and in “only one”, he addressed the R&B rupture ballads with general experience.

BigBang, “Fantastic Baby” (2012)

Before there were BTS, there was Bigbang, the organization of children for the dance of the rupture had to take from the West. “Fantastic Baby” is the good fortune of the organization, a gigantic Edm-Hip-Hop rhythm so popular that it was covered in good joy.

2 p. m. , “My House” (2015)

Boy Band 14 PM “My House”, is a romantic R&B that will even enchant the maximum faithful purist.

GOT7, “Just Good” (2015)

Some would possibly locate the wonder of Got7’s child in “right to the right”, but “twee-rap” may also be a greater categorization. The choir, however, shouts an early address.

EXO, “Monster” (2016)

The 12 EXO members offer a darker vision of the Boy Boy Boy Electro-pop formula in its single “monster. “

Jennie, “Solo” (2018)

In K-Pop, it is not unusual for the members of the Organization of Women and Teams of Children to continue the solo paintings outside the doors of their collective tasks, which allows them to explore other artistic paths without breaking the organization, and doubles a service of enthusiasts for the listeners who prefer a member to the others (in K-Pop, this member is their “biat”). Jennie de Blackpink, and her lonely soloist “only”, is the example of a “solo” member, while sings, without diverting too much the integrity of the organization. This is intended for enthusiasts of the great pop hymns and the outdated hip-hop whistle.

April, “Oh, my mistake” (2018)

“Oh My Bock Merry” until April, is the Synthpop of the 80s with a brilliant production: it is listening to this and not feeling dizzy.

Blackpink, “Kill This Love” (2019)

The largest organization of women on the planet is Blackpink, a K-pop quartet without full LP of its credit. With single as fierce as the anthem of the air horn stadium “Kill This love”, it is simple to see why: the single marries the army rates with a trap, underlined with gigantic synthesors.

BTS FT. Halsey, “Boy with Luv” (2019)

Several BTS songs would be adequate to come here: see “No More Dream”, the group’s first single, to obtain a concept of their range. This song has gathered in opposition to an inflexible school formula that exerts unsustainable tension for other young people in South Korea, while “Boy With Luv” is a vertical audit with one of the largest American pop stars of the 21st century. It is also one of the maximum impossible to resist single in BTS, a skating disco number scored through a low -shape hype.

Ateez, “Say My Name” (2019)

The new generation of K -Pop superstar is no longer limited: they can do their Deyet or exercise outside the southern Korea doors and how, or even more good fortune in the West than at home. They also continue to expand the consistent musical experimentation of K-POP. The organization of children of another 8 people Ateez, “Say My Name”, for example, is based on a pan, and the main rapper Mingi, with its so low strident tone that the Scandinavian post-pitch remembers more than any other singer on this list, sings the choir. It is so distinctive that listeners will still not have a selection to forgive them for giving their song the same name as Destiny’s Child Classic.

Maria Sherman is an editor -in the main of Jazebel and the electronic book Big Bitter Than Life: A History of Boy Bands from Nkotb A BTS.