Last weekend, like the new Future Mode 2 Mixtape of Future, the Atlanta Iconoclast triggered a Twitter complaint that requires popularity to have an effect on a generation of rappers of songs. “Enough of those lil niggas that run, since I have not done you all,” he said. “Gl in gentilly I gave you a pleasure to run with him as if it were yours. Thank you #kingpluto,” the hashtag is a reference to its vintage beginnings in 2012.

The future did not create the existing fashion for rap singers to the automatic reference: it preceded through all, T -Pain, Lil Wayne and Gorilla Zoe to Kid Cudi and Kanye West. But possibly it would have shaped the sound more decisively than anyone by deepening it with emotions only in motion and lyric hyperrealism, helping to raise it above pop devices in an exclusive post -native aesthetic. However, there may also be reasons decreasing for Twitter diatribe. His new project, an ambitious soundtrack for the Superfly movie, stagnated the 25th number of Billboard’s albums. Despite the importance of the future, it turns out that it disappears little, at least for the moment.

Your answer: make more music. Here is the fashion of the beast 2 weeks after the Superfly, bringing the combination of the long race with Zaytoven, one of the handfuls of the influential manufacturers of the south (with DJ Toom and some others) that can legitimately affirm having invented trap music. Run in 2015, The first episode of The Beast Mode (with Monster and 56 nights in 2014) is the highest in the long -term race, preparing the way for #futurehive Mania that raised it to the superstromal. Three years later, his suite uneartments, continues to clean sparks of a family style.

“I do not come back when I have no fuck,” he harmonizes in a voice to make a song in “Wifi Lit”, while Zaytoven exhibits an airy atmosphere taken through the combat bass. The producer’s sound here, with its piano piano piano gusts and covered and its vintage baroque connotations, it seems that it goes back to years when the word “trap” has talked about proletarian fight and Drop sound, not a subgenre of used and abused sound. Beastmode 2 looks like a Mixtape South South, and you can almost believe that the duo is going up in an Atlanta study somewhere at four in the morning after Striptease clubs. But like many mixtapes from the golden era of the trap, all the songs tend to take a position in a kindly resistant blur. The clues like “Blue Backs” and “Red Light” are a laugh but indistinct. The attention center is perhaps “31 days”, a strangely desirable track where the long race stretches the vowels in their words with automatically, saved, saved, paid, eating, feet, teeth, beef, as if he learned to pronounce syllables in the number one school.

Main points of Lyric, Long Run a global luxury and beloved units, whether sexual or chemical. “See as high as possible,” he sings at the beginning of “I hate the true self. ” “By presenting it in public, damn it, I hate the genuine I / My stressful mother, she says that those drugs have caused me. ” Repeat the themes he did before, at the time his Croon robot felt as a revelation instead of a patented style. Now, however, the genre evolves: those are voices such as Lil Uzi Vert, 03 Greedo and trippie redd that constitute the next level of blues without songs, with the sound of the long race as a plan. You will have to do more than to write diatribe on social networks to keep them.