Jazz at Lincoln Center presents 4 concerts this weekend that will reinvent Louis Armstrong and Dave Brubeck’s 1962 album, The Real Embassadors.

The concerts, which are components of the birthday components of the Jalc jazz jazz, will take their position in the call corridor tonight, on April 4 at 7:00 p. m. and 9:00 p. m. and, and April 5 at 4:30 p. m. and 7:00 p. m. and exhibitions tonight will also be held to transmit on jazzlive. com.

Concerts are a collaboration between jazz at the Lincoln Center and the Louis Armstrong House Museum in Corona, Queens. Among the musicians who will play them, Brubeck’s son, the trombonist Chris, singer Shenel Johns, the jazz in the saxophonist of the Lincoln Center Camille Thurman, singer Vuyo Sotashe, singer C. Anthony Bryant and actor Daniel J. Watts. Jake Goldbas drummer will also be played; He directs the concerts and is the former director of the systems at the Louis Armstrong House Museum.

Keith Hatschek, emeritus director of studies of the music industry at the University of the Pacific in Stockton, California, wrote a winning electronic book through several ambassadors, through the University Press of Mississippi, about the collaboration of Armstrong and Brubeck in the album.

According to the press, Hatschek tells the story “of three specific artists: Louis Armstrong, Dave Brubeck and Iola Brubeck (Dave’s wife and a Lyresh) and the stand that they took opposed to segregation through the writing and musical interpretation of Jazz titled The Real Ambassador. 1956, the musical journey to the segregation for their segregation for their jazz and turns Jazz and turos of the Beets of 1956, the musical journey to the internship of 1962, and turned to the 1956 backs, and turned to the Beatrices of the civilians and turned to the Beatrices of the Civil of 1956, and turns to the targets of the 1962 musicals and turned to the Beats of the Backs of 1956. Movement of rights.

“During the Cold War, the US State Department enlisted some of the greatest American musicians to serve as jazz ambassadors, visiting the global to lie to a so -called” loose society. “Honor as celebrities abroad, jazz ambassadors who were incredibly African -American, used the double racial discrimination and the deployment of humor and pioneering shared perspectives in the values Americans.

“On September 23, 1962, the very good beginnings of the ambassadors moved a sand full of people at the Monterey Jazz Festival to laugh, joy and tears. Although it unanimously complains welcome to the performance, unfortunately it has a note to the foot of the prejudices of the members of the distribution.

However, the press added the electronic book of Hatschek “runs this history of jazz, which details how the exhibition triumphantly revived in 2013 through the Detroit Jazz Festival and in 2014 through Jazz in Lincoln Center.

In an interview with Forbes. com this week, Goldbas, who played with Dave Brubeck when he was in Lycée Du Connecticut, just like Johns, he said he was grateful to Jazz at the Lincoln Center “for protecting those stories of integration and cultural and network exchange that we want more than ever. “