Hip-hop is the maximum popular type of music in the world. That said, there is still, incredibly, a giant number of other people who do not know the genre, their players, their rules, their barrel, their surroundings and their deep effects on their listeners, even 40 years after its creation.
They may have false concepts or preconceived biases due to their negative representations in the classical media, or maybe they think they will not locate anything to relate to it, due to their reputation of fierce and physically powerful content aimed at poverty and social injustice or for the vulgarity and profanity that can disable the most moving listeners. Some who will not locate anything musically, because many rappers, but not all, do not touch instruments. So how do we present hip-hop to neophytes that can be curious or replace the minds of detractors who have so far refused to give it a chance? Here are nine songs, in no way a complete or complete list, however, a moderate primer, which can convince a first listener in a long -term enthusiastic fan. Do not hesitate to upload those comments.
When Rakim says: “Thinking of a master plan”, to cause this master and paid record, is one of the maximum complete statements of what rap and hip-hop represent, and an infernal cliffhanger, leaving the listener that Almaximum despairs to hear what comes next. A song that about the crafts and the rap writing procedure (“a pen and a paper, a stereo, a band of / I and Eric B and a large giant dish of / fish, which is my favorite dish”) because it is a manifesto of a rapper (“So I start my mission, leave my apartment construction block in what it deserves to be.
With respect to conceptual clues, rap is and any other genre. Pharaohe Monch imagines himself as a ball in “When the gun shoots,” Nas embodies the gun in “I gave you power. ” The NAS, Fiasco Lupe and Jidenna have wondered about a global advantage where blacks and English replace the social class, and rap space opera is something genuine that exists and is intelligent. But with respect to rhyme or prose, nothing exceeds an intelligent list. Biggie Smalls understood that twenty years ago, writing a regulatory manual for any listener interested in surviving the drug game that is as fluid and informative as in his departure. Fans still cite the commandments in any number of provocations, either seeing the last episode of snowfall and being able, or reusing the rules for each profession, from athletes to Media Management. The longevity of the “ten commandments of crack” shows how much rappers can make enthusiasts relate to their content, even if they do not have a non -public delight with the subjects covered.
There are 4 verses in this song, and everyone takes rap in another way, but in a way, all are specimens of the southern rap as a subgenre. There is the word and there is almost talk of André, followed through Bun B and Pimp C, much less a roughly conference, connected to the words of Big Boi of Bo bo as for the little young people of the moms and making intelligent decisions. There are jewels everywhere; “Keep your heart, 3 batteries,” “They never fuck without a rubber”, “We roller the Russian sand, we keep this” squeak on the shelf “and” lar Willie Hutch’s patron.
To be honest, there are a number of Jay-Z songs that you can play for a new hip-hop devile, it is possible that you only execute a moderate doubt directly, and other people can immediately dominate the scope and intensity of a giant component of what rap is. But nothing in moderate trends caught the listener as “Allure” Jay’s black album. In “regrets,” he tells you that he has, well, repentant, that is correct in the title. But “Allure” leads him to another level, illustrating them through the representation of a scam that details the comments and why and the unsatisfied collateral hurts in search of the hurry for the adrenaline of fast money: “All Christias in the city and Tiffany tracks. ” Pharrell’s strings and keys to load another dimension, a master elegance in the way in which rap production can create a temperament and verbal images, when allowed to do so.
The purists of NAS will tell you that their maximum productive songs are “Life’s a b * tch” or “n. y. state of mind” or “cannot be said”, from its beginnings. They illustrate their early fatalism, they paint very well a symbol of difficult moments below, with an incredible game on words and a dominance of the rate. But what happens if I told you that NAS is in its productive maximum when it is optimistic? “If I governed the world” is a nas to its maximum transparent, in the end it is allowed to expect all the things that were beyond their mind during their beginnings. Perfectly summarizes the ambitious nature of hip-hop, but it scrapes the surface and you can hear what is happening in this nature. He provides the feeling that anything has systematically rejected the deficient blacks in the United States for centuries with a single line: “It can be poor or rich, nobody needs a n * gga has shit!” If the net benefit will be the same anyway, why not be rich?
Don’t look at me like that. I know what I’m talking about here. While some would possibly imply “the history of children” through Slick Rick or “I am enjoyed H. E. R. ” common »common. As pinnacles of the narration of rap pieces, “parents simply do not understand” is something else. It does not have premature cynicism of one or another of the riots, but it is equally intelligent, with turns and turns in the history of the plot. Beyond that, it is identifiable, fun, complete of spirit, and illustrates the soft appearance of rap, breaking the stereotyped symbol of young streets of bad streets related to drug stories and violence or salty hip-hop heads complaining the way the rap more “at the time. ” In addition, the video, a small budgetary issue of the 80s, is funny and launched the aesthetic plan for the emblematic theme of Will Smith Prince of Bel Air.
Ah, the posse cut. The fundamental food of the rap of an increase, the status with pride throughout the RAP War as a brand of water for the concentration of hip-hop in the competition. While “The Symphony”, one of the first entries and the next one in the barrel would have possibly demonstrated more virtuous and strategy examples, “you damn” incorporates a very undeniable device and then asks their respective players to execute, what everyone does, perfectly. As Kool G rap, Big Daddy Kane, Grand Puna, Q-Tip, Pete Rock and C. L. Soft wind around and through the sinuous circular flows, they approach, dancing intelligently around taboo jargon, demonstrating that rap does not want to be vulgar to seem difficult.
Twenty years after the launch of Supa Dupa Fly, it turns out that Missy Elliott only did it due to MC and composer. Occasionally it has been ignored as a higher level rapper because it does not adhere to all regulations, but it is friction: the only way to break the rap regulations and, in addition to Missy in songs like “Working”, is to have dominated them more than anyone who has ever had, so it knows precisely those that break and how. And she will break them. She leaves the English language at the door on several occasions, reverses the total bars and expresses the empowerment of black women, which is occasionally shortened in a genre governed through men who gently mimic the blax plate films with the pimp of the youth of their authors. Missy shows how rap can twist and reuse in unconventional and uncommon tactics, while assembly the criteria for making a solid hip-hop laugh and an absolutely unique laugh.
This is a type of trick; Mos Def has, one of the maximum fluid rappers in the 90s, Talib Kweli, one of the densest and most common, one of the maximum poetics. Basically, whatever a fan of J. Cole, Kendrick Lamar, Isaiah Rashad, Joey Badss, Lupe Fiasco or Chance, the rapper in 2017, owes a debt of gratitude with Mos Def & Talib Kweli is a black star, because his DNA takes position through the Hanp-Hap of fashion and dense. Models of very tricus rhymes with moving and poetic images, created and explained and explained the subgenre “rap with conscious backpacks”, specifically by placing the basic concepts of the proudly independent marketing plans today. They illustrated the assets of the artists at a time when the only way in which the maximum artists can even smell in the radio game to point out a primary and give up 80 % of its edition, creating a path that did not exist and allowing long generations to take a complete merit of equipment such as transmission and social networks to monetize their own art without compromising in favor of a crazy business. Without Black Star, there would be no possibility, nor Kendrick, and nor Drake, words in the business plan, taught a total generation how rap for laughter and profits.
If Missy violated rap regulations in 2007, Kanye West hit the book of regulations, started part of the pages, glazed in the other part, placed chimney to the book, then threw it out the window. Before “stronger”, the (evil) design of the EDM between the maximum rap heads was that it was for whites in raves, stumbling with ecstasy and stirring bright sticks in laser laser warehouses and abandoned. West leaned strongly in this aesthetic with the first single revolutionary of the graduation, a wild deviation of his past patterns of souls and the battery of Dr. Dre. He claims to have crossed more than a dozen iterations of the aggregate to the rhythm, disturbing the smallest details; Hard paintings have borne fruit, as “stronger”, which succeeds in taking hip-hop and rap in new kingdoms (or reinventing the electro past styles that had been lost in opposition to antiquity after DMC). Any new listener with a preconceived perception of rap such as Low and drums would be impressive to notice that it also paints with a robot and punk robot pattern and an anime musical clip that is as winning as 50 cents through the launch in a corner of the dark street in projects.