Since

Do you remember when Jazz is a so -called “dance” music? When Swing took the dance halls to the masses and encouraged popular dances such as Lindy Hop, Charleston and Jitterbug?

Probably not; Most of us will never know how the 30s and 40s were seen, when jazz more than a spectators sport. But in the era of electronic music, with sampling and curls, going to jazz sounds is not so rare: the sampling saxophones and the dishes they drive have reappeared in dance halls in the homemade music of homemade music. Here are some jazz and successful electronics mergers.

“Roja Rose”

Of “tourist”

The Frenchman Ludovic Navaree (aka St. Germain) is one of the first to jazz with techno music in the 1990s, first with his successful boulevard. Then, the mythical jazz stamp Blue Note launched its maximum popular album, Tourist, which sold more than 4 million copies worldwide. In “Rose Rouge”, Navarre brilliantly tested “Take five” through Dave Brubeck for his catchy battery and bass loop.

“Flore Coffee”

Of the process, the parties, the many and the ‘

This pioneering electronic composer takes the banal and makes it extra. As a “sound sound” specialist, Herbert shows noise, coffee beans, for example, and makes it the focal point of his dance music. Quincy Jones, R. E. M. And Bjork has benefited from his services. Herbert then joined some of the most productive British jazz musicians to shape a great basically acoustic band. However, their giant strip arrangements reveal more likely to stand in a delirium.

“Cerchio Rosso”

“Jet Sounds”

This Italian Bari fell in love with the sounds of Brazil and presented its own mixture of acid jazz. His obsession with the difficult recordings of Bossa Nova and Jazz Samba of the 1960s fed Jet’s sounds. The music highly dancing from Nicola Conte maintains a rustic and analog giant sensation. When it is not platinum’s headdresses, it is on excursion as a guitarist with his six -piece jazz game.

“Do the astral plan”

From ‘Cosmogramma’

Flying Lotus (aka Steve Ellison) possibly would appear the farthest from jazz in this group, but their roots are undeniably closer. As Alice Coltrane’s He collaborates with jazz musicians, adding extremely cheerful coltrane, in his live performances. His so -called “astral jazz” is aesthetically cowardly, open to improvisation and unforeseen musical moments.

“L. O. V. E. and you”

Of “between the two”

The Berlin DJ team in Jazzanova – Alexander Barkk, class Brieler, Roskow Kretschmann, Stefan Leisering, Axel Reinemer and Jürgen von Knoblach – worked for five years before leaving both, now considered a harvest in electronic music. In this song, they meticulously combine a pattern after the pattern in a complex and impressive rhythm; It is simple to get lost in this flexion. This group occasionally congratulates itself for its use of living tools and proclaims its affection for the American jazz and soul.